Director: William Brent Bell
Writer: Stacey Menear
Starring: Lauren Cohan
Rupert Evans
Jim Norton
Diana Hardcastle
Ben Robson
James Russell
Jett Klyne
Lily Pater
Rating: **
Release Date: Out Now
Yesterday I looked at how to make truly haunting and terrifying horror movie without using gimmicks or the typical cliches you see in most films of this genre. Here, with The Boy, they do exactly the opposite, and while it is jumpy and does have genuinely scary moments, it just doesn't come close to how The Witch affected me. Nearly all of your typical horror movie scare techniques are used, which can often ruin the atmosphere and stop you from fully engaging.
Greta (Cohan) is a young twenty something about to embark on a new nannying job for an elder couple, the Heelshires (Norton & Hardcastle).
They are about to go on holiday, leaving their son Brahms behind for
the first time, which is why they hire Greta. But when Greta arrives,
much to her surprise, Brahms is a life size porcelain doll which is
treated like a real boy. As Greta spends more time at the house, she
discovers dark secrets about the Heelshires; and along with local grocer
Malcolm (Evans), they must do what they can to solve the mystery whilst keeping Brahms happy, before things go too far.
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Lauren Cohan |
The
cast are good, but there is nothing that stands out for any of them.
Cohan is competent enough as the final girl, but she isn't interesting
enough to make you will her on or hope for her making it to the end.
Both her and Evans do what is required in a stunted horror film like
this, and that is all they're really able to do. Norton and Hardcastle,
as the creepy Heelshires, are far more compelling, and you can truly
sense their heartache, as well as a tinge of insanity, throughout their
scenes.
The
script by Menear is contrived, unimaginative and as predictable as
expected. Whilst the concept feels fresh and interesting, the finished
product is anything but, and somehow feels stale and old hat. The
attempt at creating twists never comes across as surprising, and the
whole backstory and history of Brahms and the Heelshires is nothing that
hasn't been heard before. And whilst other films have tackled this plot
with a fresh new direction, Menear can't seem to shake the horror
cliche shackles which drag the story down.
William
Brent Bell, the director, has managed to use almost every cliche in the
horror film making book. These cliches can be used in a knowing way,
like Scream, meaning the audience and film makers are in the know
together, keeping it fresh ; however The Boy uses them as serious scare
techniques. While the jumps do come thick and fast during some moments,
for a horror movie to be truly scary they need to be so much more than
predictable jumps and loud noises. I wanted The Boy to be such a good
horror film, but unfortunately it missed the mark completely.
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